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![Illustration of the travels of Sir John de Mandeville. TRAVELS of Sir John de Mandeville. TRAVELS of Sir John de Mandeville, translated into German by Otto. von Diemeringen, Canon of Metz. Vellum Illustration of the travels of Sir John de Mandeville. TRAVELS of Sir John de Mandeville. TRAVELS of Sir John de Mandeville, translated into German by Otto. von Diemeringen, Canon of Metz. Vellum](https://c8.alamy.com/comp/R56MWW/illustration-of-the-travels-of-sir-john-de-mandeville-travels-of-sir-john-de-mandeville-travels-of-sir-john-de-mandeville-translated-into-german-by-otto-von-diemeringen-canon-of-metz-vellum-and-paper-xvth-cent-with-coloured-drawings-source-add-17335-f25-det-language-german-R56MWW.jpg)
Illustration of the travels of Sir John de Mandeville. TRAVELS of Sir John de Mandeville. TRAVELS of Sir John de Mandeville, translated into German by Otto. von Diemeringen, Canon of Metz. Vellum
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![Leaf from a Missal: The Crucifixion (Frontispiece for the Canon of the Mass), c. 1440-1450. This splendid crucifixion scene originally served as the canon illustration in a liturgical missal. The open landscape Leaf from a Missal: The Crucifixion (Frontispiece for the Canon of the Mass), c. 1440-1450. This splendid crucifixion scene originally served as the canon illustration in a liturgical missal. The open landscape](https://c8.alamy.com/comp/2A51DRG/leaf-from-a-missal-the-crucifixion-frontispiece-for-the-canon-of-the-mass-c-1440-1450-this-splendid-crucifixion-scene-originally-served-as-the-canon-illustration-in-a-liturgical-missal-the-open-landscape-is-remarkable-since-it-is-not-found-in-dutch-missals-before-the-end-of-the-1500s-the-large-number-of-figures-at-the-foot-of-the-cross-is-also-exceptional-the-composition-is-thought-to-have-been-copied-from-a-painting-by-jan-van-eyck-now-lost-the-painter-of-this-miniature-derives-his-name-from-the-illuminations-in-the-old-testament-commentary-of-nicholas-of-lyra-which-otto-van-moerd-2A51DRG.jpg)
Leaf from a Missal: The Crucifixion (Frontispiece for the Canon of the Mass), c. 1440-1450. This splendid crucifixion scene originally served as the canon illustration in a liturgical missal. The open landscape
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